no cover

Tracklist

  • #1 Projective Plane
     
  • #2 Closed Curve
     
 
Single MP3s for this release are $0.99.

 

Atavist / Nadja / Ii: Points At Infinity

Profound Lore

formats available
  • CD
    $12.00
    PFL 037
    880270237425
    Street Date:
    August 12th, 2008
    Ship Date:
    August 4th, 2008

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Points at Infinity is the second collaboration between the UK's most infamous doom/sludge metal band, Atavist, and the most prolific and respected act in experimental/drone/doom/ambient music today, Nadja.  The first collaboration, titled 12012291920/1414101 and released last year through Invada Records (owned by Portishead main songwriter Geoff Barrow), was merely an experiment--one that was actually initiated by Profound Lore Records. This second collaboration presents a sound picture with significantly more substance and depth; while still experimental in nature, Points at Infinity exemplifies growth and expansion by both of these enigmatic bands.  PRAISE FOR 12012291920/1414101: "This collaboration between the UK's Atavist and Canadian doom mongers Nadja is a rare old treat. Across two lengthy pieces, the bands square up to deliver a disc's worth of bottom-heavy sludge and floating drones. Far from being a cold-hearted excursion into dark metal, the resultant pieces are a surprisingly warm blend of distortion, glacial chord changes and nebulous atmospherics. Opening with 'Twentyfour:Sixteen,' the collaborators launch themselves into an unexpectedly melodic domain only to soak up more challenging sonic elements as the piece progresses; by about halfway through you'll hear glistening feedback tones beginning to intrude, and by the time we arrive at the half-hour long second track, 'Twentynine:Thirtyseven,' the bands are bathing their sound in oceans of noise and hollowed-out electronic tones with a distinct emphasis placed on the lowest end of the frequency spectrum. By its close, the piece gathers a sub-bass-driven weight that Stephen O'Malley could be proud of, all cloaked in a sense of warmth usually absent from the genre." --Boomkat


 

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